I was born in a small suburb of Tel Aviv, Ramat Gan but grew up in Leverkusen, Germany.
After having studied media and cultural studies in Düsseldorf I went for a year to at study the University of New South Whales in Sydney as a DAAD scholarship holder for dance studies.
During my studies I was very much interested in the knowledge production through artistic research and finished my BA with a thesis on the anthropocentric view on the difference between human and animals. I was specifically looking at how in relation to this topic in an artistic research process working with movement another form of knowledge is produced.
Beginning of 2019 I am finished my studies in "Dance Context, Choreography" at HZT Berlin.
In my artistic work I am interested in the intertwining of theory and practice. Furthermore, I am captivated by the choreographic quality of everyday movements: its specific poetry as well as the inseparable social level. Im interested to extract essences from those movements in order to perceive them differently, arranging them in a frame that their essence is not lost but allows to question them as well as bear the potential to transform them.
Together with the Israeli performance artist Tal Alperstein I developed the participatory project monumentalise that deals with the act of commemoration which was shown in Mousonturm Frankfurt, Kaunas Biennial in Lithuania and the Israeli Center for Digital Arts in Holon. 2019 Tal Alperstein and me looked at choreographic patterns of the act of traveling to a foreign country. in the performance lecture TOUR AGENCY. My choreographic work soloƨ was shown 2017 in the frame of Now&Next at the tanzhaus nrw, Düsseldorf.
I value interdisciplinary and continious collaborative work processes hence I share not only a long collaboratition with Tal Alperstein but also a collective practice with Simone Weber and have since 2017 continuosly worked with the dancer and choreographer Rachell Bo Clark.
As a dancer and performer I worked among others for plöger/winkler/becker, I Jung Lim, Niels Weijer, Willi Dorner and costa compagnie.
Moreover I was a choroegraphic assistant to Lea Moro and got more and more interested to take and outside/inside perspective on other people’s artistic work. Since 2017 I worked as an outside eye and dramturge for Jan Rozman.